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Taylor 414ce V-Class Special Edition Grand Auditorium Left-Handed Acoustic-Electric Guitar Natural
Taylor 414ce V-Class Special Edition Grand Auditorium Left-Handed Acoustic-Electric Guitar Natural
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Description
A truly special "Special Edition" instrument, this 414ce V-Class Grand Auditorium Left-Handed acoustic-electric features many custom elements artfully incorporated by Taylor Guitars' Master Guitar Designer, Andy Powers. Along with Taylor's innovative V-Class bracing, together, these features deliver much more than the sum of their parts. For everyone from pros to hobbyists, they make the playing experience more expressive, inspiring and fun. The volume, the sustain, the "in-tune-ness" of the instrument and its high-fidelity sonic detail combine to deliver a new level of player experience. Indian rosewood is one of the most popular and musically expressive tonewoods in the world, and paired with Sitka spruce produces a rich and detailed sound. Taylor's Grand Auditorium shape and rosewood's balanced, broad sonic range and complexity - and of course Taylor's renown playability - result in a guitar that will be a joy to play in a variety of scenarios for a lifetime.
The 414ce V-Class Special Edition Grand Auditorium Left-Handed acoustic-electric ships in a deluxe hardshell case made by Taylor for optimal fit and protection.
Grand Auditorium
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Solid Indian rosewood back and sides complement the Sitka top with sound that's made it one of the most popular tone woods ever. Rosewood produces the strongest bass response among the tone woods commonly used for guitars, with a slightly scooped midrange. Rosewood's sweeping frequency range - deep lows that assert a throaty growl with sparkling highs - rings out with bell-like, high-fidelity clarity. It yields a full-range acoustic voice with complex overtones and extended sustain.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor��s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor��s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor��s custom-designed ��professional audio��-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Special Features
Premium features on this 414ce Special Edition Grand Auditorium include an abalone rosette, "Engraved Victorian" fretboard inlays with matching peghead inlay, Shaded Edge Burst (top), gold hardware, grained ivoroid binding and V-Class bracing. Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
The 414ce V-Class Special Edition Grand Auditorium Left-Handed acoustic-electric ships in a deluxe hardshell case made by Taylor for optimal fit and protection.
Grand Auditorium
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.
Tonewood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Solid Indian rosewood back and sides complement the Sitka top with sound that's made it one of the most popular tone woods ever. Rosewood produces the strongest bass response among the tone woods commonly used for guitars, with a slightly scooped midrange. Rosewood's sweeping frequency range - deep lows that assert a throaty growl with sparkling highs - rings out with bell-like, high-fidelity clarity. It yields a full-range acoustic voice with complex overtones and extended sustain.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor��s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor��s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor��s custom-designed ��professional audio��-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Special Features
Premium features on this 414ce Special Edition Grand Auditorium include an abalone rosette, "Engraved Victorian" fretboard inlays with matching peghead inlay, Shaded Edge Burst (top), gold hardware, grained ivoroid binding and V-Class bracing. Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially a "sonic engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation (in-tune-ness) issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience. Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
Features
- Left-handed model
- Abalone rosette
- "Engraved Victorian" fingerboard inlays
- Matching "Engraved Victorian" peghead inlay
- Shaded Edge Burst top finish
- Gold hardware
- Grained ivoroid binding
Specs
Body
- Body type:Grand Auditorium
- Cutaway:Venetian
- Top wood:Solid Sitka spruce
- Back and sides:Solid Indian rosewood
- Bracing pattern:V-Classwith Relief Rout
- Body finish:Gloss
- Orientation:Right handed
- Neck shape:Taylor Standard Profile
- Nut width:1.75" (44.45 mm)
- Fingerboard:Genuine West African ebony
- Neck wood:Tropical mahogany
- Scale length:25.5"
- Number of frets:20
- Neck finish:Satin
- Pickup/preamp:Yes
- Brand:Taylor
- Configuration:Behind-the-saddle transducer with Adjustable Sensors
- Preamp EQ:2-band
- Feedback filter:Phase
- Tuner:No
- Headstock overlay:Genuine West African ebony
- Tuning machines:Taylor goldwith gold buttons
- Bridge:Genuine West African ebony
- Saddle and nut:Micarta "Wave" saddle/Teflon-infused graphite nut
- Number of strings:6
- Special features:
- Case:Hardshell case
- Accessories:
- Country of origin:United States