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Sequential Take 5 Five-Voice Poly Synthesizer

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Description

A full-featured subtractive synthesizer, the Take 5 sports two VCOs and a sub oscillator per voice, a classic 4-pole, resonant analog filter from the Prophet-5 Rev 4 design, 44 full-size keys, and a premium Fatar keybed. Its clever key-split feature gives players access to a wider playable range than many other compact synths by enabling players to divide the 3.5 octave keyboard into two separate performance zones. Dual Digital effects and a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM ensure the Take 5 can cover a wide range of sonic territory, from vintage to modern.

��The Take 5 puts the classic Sequential sound and legacy into the hands of people who may not have been able to experience it before,�� said Dave Smith, Sequential founder and lead product designer. ��Packing this much performance power into such a small footprint was the kind of challenge we love. Throughout development we were amazed by how huge this synth sounds and how crazy versatile it is. It was a joy to work on and I��m looking forward to hearing what our customers create with it.�� This versatility comes from the Take 5��s sound engine.

Two voltage-controlled oscillators provide traditional sine, saw, and pulse waves with waveshaping, while simple analog FM adds harmonically complex, bell-like FM timbres at need. The Prophet-5-lineage 4-pole analog filter shapes the sound of the oscillators and sub oscillator in classic fashion while a Drive control provides additional punch. For still more warmth, a Vintage knob adds micro variations to oscillator, filter, and envelope behavior from voice to voice. The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice LFO), ADSR+delay envelopes, dual digital effects (a dedicated reverb and a suite of time-delay and other effects) a separate additional overdrive effect, and extensive modulation possibilities. A 64-step polyphonic sequencer and multimode arpeggiator complete the picture.

Sequential CEO David Gibbons summed up the Take 5 this way: ��For players that have wanted to get into analog poly synths but have been put off by price or complexity, the Take 5 is the perfect gateway to subtractive synthesis and the creative power of Sequential��s best synths. It is pure Sequential sound and quality at a price that��s within reach of almost anyone. Portability is also a huge plus��you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind.��

Specs

Oscillators
  • Two analog VCOs per voice
  • Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator
  • Hard sync: oscillator 1 syncs to oscillator 2
  • Square wave sub-octave generator (oscillator 1) per voice
  • Keyboard tracking on/off for each oscillator
  • Front-panel FM (frequency modulation)
Mixer
  • Oscillator 1 amount
  • Oscillator 1 sub-octave amount
  • Oscillator 2 amount
  • White noise amount
Low-pass filter
  • Four-pole, resonant, analog low-pass filter per voice, based on Prophet 5 Rev 4 design
  • Filter can be driven into self-oscillation with the Resonance control
  • Bi-polar filter envelope amount
Envelopes
  • Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, gate)
  • Velocity modulation of each envelope amount
  • Envelopes freely assignable to multiple modulation destinations
Low frequency oscillator
  • Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
  • Clock sync (internal or external MIDI clock)
  • Freely assignable to multiple modulation destinations
Digital effects
  • One dedicated reverb with damping, pre-delay, decay and tone
  • One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter
  • Dedicated Overdrive effect
Vintage knob
  • Recreates the characteristics of vintage synthesizers by introducing micro-fluctuations in oscillators, filter, and envelopes per voice.
Aftertouch
  • Source: channel (mono) aftertouch with bi-polar amount
  • Aftertouch freely assignable to multiple modulation destinations
Clock
  • Master clock with tap tempo
  • BPM control and display
  • MIDI clock sync
Arpeggiator
  • Up, down, up+down, random, assign modes
  • Syncs to MIDI clock
  • Re-latching arpeggiation
Sequencer
  • Polyphonic step sequencer with up to 64 steps with ties and rests
Performance controls
  • Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch
  • Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls
  • Low-split mode creates two independent performance zones with different octave ranges
  • Hold switch latches held notes on
  • Polyphonic glide (portamento)
  • Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes
  • Factory switch: when off, the front panel is live; what you see is what you hear
Patch memory
  • 128 user and 128 factory
IN/OUT
  • 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port
  • USB port for bidirectional MIDI communication
  • 1 Sustain/footswitch input
  • 1 Expression pedal input
  • Main stereo output (2 x 1/4�� phone jack)
  • Headphone out (stereo 1/4�� phone jack)
Power
  • IEC AC power inlet for internal power supply
  • Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption
Physical specs
  • Premium, 3.5-octave, semi-weighted Fatar keyboard
  • Dimensions: 25�� L x 12.75�� W x 4.4�� H (63.5 cm x 32.4 cm x 11.2 cm)
  • Weight: 17 lbs (7.7